Film

2025: My year in film

5⭐

I’m sad I saw this on a bloody plane instead of a loud and large theater.

Garland and Boyle’s talents pair perfectly.

Jessie Buckley gives one of the best performances I have ever seen. Ever.

Felt a literal weight on me as the credits rolled.

That darn kid Hamnet actor has a bright future ahead of him.

Marianne Jean-Baptiste is like Mother Nature herself.

Panahi is peerless in what he creates, given his circumstances.

Impossibly infuriating and dispiriting.

There is power in the camera, for those brave enough to keep on filming.

How’d he convince WB to bankroll this?

DiCaprio has never been more likeable. Ensemble of the year surround him.

That bangin’ Greenwood score reaches far and wide!

Most interesting car chase I’ve seen in a while.

Walked out of the theater to a huge Mexican wedding happening outside. Divine.

Actor, writer, director to a tender, complex gift of a film that overflows with warmth.

Continue reading
Standard
Film

2024: My year in film

5⭐

Pure. Analog. Satisfaction.

Koji Yakusho gives a gentle, scrupulously tuned performance that’s honestly life-affirming. And that final scene? Phew. How is he not up on every awards stage giving a speech?

Not a bad performance, big or small. Colman Domingo obviously deserves his flowers. Googling Maclin after leaving the theater and understanding his story adds another layer of awe to what he portrays.

The kaleidoscope of colour. The splitscreen on What Is This Feeling. How the projector comes to life. Ariana, Cynthia, and Jonathan.

Chilling and otherworldly from Jonathan Glazer, before the ending anchors everything. The sound design and score surround you in the sickness.

Continue reading
Standard