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12 O’Clock Boys

’12 O’Clock Boys’. Tragic as both a character study and broader social commentary on what people live for in their day-to-day struggles. Dangerous escapism as seen by outsiders looking for the temporary kind is darkly ironic.

Lotfy Nathan found someone special in Pug. Bright, ambitious, destined for doom. Nature nor nurture have been particularly good to him as a young boy, and it doesn’t look like that cycle is stopping anytime soon for him and others in Baltimore.  What’s been eating away at me ever since I walked out of the theater is how much Nathan’s decision to document Pug’s quest drove him even further. Would he have done everything he did if a camera wasn’t on him? The ending seemed particularly exploitative.

You see the pursuit of power, fame and notoriety, driven all the more by social media. The film ending where it does, I’m afraid of what effects this will have on the next generation of Baltimore’s 12 O’Clock Boys.

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