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YouTube’s Coachella Live is how I can only dream all festivals could be

Destroyer’s Kaputt was my favourite album of 2011. I’d given up hope of ever seeing them live, as I doubt they’d ever tour Australia. The Vaccines’ What Did You Expect from the Vaccines? was a close second for album of the year. I got to see them both today. Live, back to back.

Oh, and did I mention the Arctic Monkeys, Pulp, The Black Keys, M83, Yuck, We Were Promised Jetpacks, St. Vincent, Bon Iver and Radiohead.

I’ve had the best two days of Coachella! It’s just that I’m 12,000km away, and have the wonders of streaming technology, social media, YouTube and State Farm to thank.

Yes, it’s not the same as being there, but it’s a darn close second!

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New York, I love you

What a day. I have never been as in love with New York as I am right now. It’s my third visit in three years, but today won’t be topped.

It started with a walk through the NYU campus on West 4th Street and into the magical Washington Square Park. A park packed with locals, tourists, squirrels, dogs, wiry trees, chess masters and a grand arch. You can sit there and take it all in for hours on end, being at complete peace with the world.

Continue on West 4th Street and the West Village awaits. Walking through the West Village and its tiny, exquisite cafes, zig-zaggy staircased apartments and archway of blossoming trees made me want to live there instantly.

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Lost and Sound

‘Lost and Sound’. An incredibly touching insight into the adaptive power of the brain and impact technological advances can have in the lives of three individuals.

Don’t get me wrong, but deafness has always fascinated me. I’ll have these internal arguments every now and then on whether I’d give up sight or sound, if I had to give up one; I usually settle on sound. My crude view equated deafness to hearing nothing. I don’t know if it’s simply the three particular individuals in this film, or the advent of the Cochlear implant, but it is indeed not as clear cut as everything or nothing. There’s a phrase in the film about a mother realising the difference between simply “hearing” and “listening”, and this crystallised things.

Then there’s the brain. As described in the film, the ears simply provide a portal for the electrical impulses in your brain to interpret the rhythm, timbre, beat, etc of music, and turn it into that something that is deeply profound to all of us. The incredible, taken-for-granted effect music has in the life of every human being is exemplified further with the very music-oriented stars of the film.

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The Cabin in the Woods [spoiler-free, duh]

‘The Cabin in the Woods’. Genre-bending genius from Whedon and Goddard. 

What an incredible surprise. The horror genre, its conventions and archetypes are maintained and honoured, but there are so many more layers to this! This is a spoof, a homage, and then something completely different. The tone maintained is perfect, sliding easily from horror and suspense to self-referential comedy, while never selling short its characters and emotional stakes.

I really can’t talk about what happens, because it would completely ruin half the fun you’ll have with this, but believe me, you WILL have fun. A LOT of fun. I can’t remember the last time I’ve had as much fun in a movie. And, I don’t know how, but I’m pretty sure the audience at the packed Paramount Theater had way more fun than me, and added so much to the atmosphere; rapturous, deserved applause throughout. 
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You’re making it easy for me to leave you, Grooveshark

Let’s be clear on this, I love Grooveshark. I have professed my love several times on this blog, and I’ve championed it to the extent that quite a few people have signed up and paid for the yearly membership [SORRY]. The promise of Grooveshark was to give me easy access to the music I love, anytime, anywhere. This has been broken lately.

Duplicates of songs and albums, incomplete listings and ID3 information. I noticed these blemishes long ago, but hey, no one’s perfect, and the relationship had way more ups than downs; platform independence, access anywhere, and a shared collection of music. Its ease of use was unparalleled, and it wasn’t that much of a stretch to cobble an album or playlist together.

Grooveshark has always skirted a legal grey area, but as of late, their legal woes have caught up with them. All four major record labels are suing them, and its outright blocked in Germany, last I heard. I haven’t bothered reading up on whatever other troubles they’re in.

And then songs started disappearing.

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Bangalore revisited, six years on

What a strange, delightful feeling it is returning somewhere that’s so familiar, but so different at the same time. Hell, even the name of the darn city’s changed; “Bengaluru” just doesn’t sound right. Yet.

Clearing customs and what not at the airport was surprisingly quick, calm and organised. Step out the door of the airport though, and the chaos and cacophony of Bangalore greets you warmly!

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Comparing social networks to movies on the basis of Attention? Flawed.

Sigh. I was rather enjoying my Monday until I read this infuriating piece by Alexia Tsotsis over on TechCrunch – I’d Rather Watch Instagram Than A Movie.

The basis of the comparison? Attention. The basis of the preference? Simplicity and relatability.

The appeal of Instagram is, for lack of a better word, simple; the world is moving too damn fast and we don’t want the cognitive load of figuring out what we’re looking at — we just want to see simple pretty things. This simplicity is what makes services like Instagram, Twitter and Pinterest a joy versus other entertainment offerings.

The truth is that on any given day, I’d rather check in on Instagram then watch a movie.

Call me a snob, but I feel sorry for the simple mind that can equate one form of attention to another so easily, and put it down to “killing time”. It is total underappreciation for film as an artform.

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TIL Netflix is not the place for new movies

This post from tnl.net, entitled Where the hits are streaming in 2011 was a real eye-opener, and one that I first heard on TWiT 336.

For each movie of the top 100 movies at the box office, I pulled data on for stream­ing info on Net­flix, Ama­zon on Demand, iTunes, and Vudu. I also pulled up avail­abil­ity of DVDs to use as a yard­stick in terms of over­all movie avail­abil­ity.

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2011: The year in movies

I’m trying something new this year. I’ve traditionally ranked my end of year list top to bottom, and it’s been incredibly difficult, not to mention a false, unfair measure. This year, I’m grouping them by star-rating.

I’ve been using Flixster for the past 1.5 years, but this year, I’ve made a conscious effort—for every movie I’ve seen this year that’s in Flixster’s database—to add a star rating, and write a review; be it a sentence or a rare, wordy exposition. Note that this will also contain random, older movies I’ve seen at home, etc throughout the year.

One thing I’m noticing now is how extremely difficult it has been for me to award something 5 stars. It’s silly in retrospect, but shows I don’t completely believe in my ratings, or am afraid to say, “hey, I think this is worth 5 stars and found basically nothing I didn’t love about it”. Considering the extremely subjective nature of it all, I don’t know why, so I’ll have to normalise some of that now.

On the flipside to that, you’ll also notice how rather positive I am with my ratings in general, because, heck, I love my movies, dammit! At least in the context of everything else on here, it can be taken as relative.

Oh, and just to clarify, these are movies I’ve seen at the cinemas in the year of 2011, in Australia and Austin, during SXSW. While looking back, I was surprised that some of these weren’t 2010 releases, but then remembered Australia’s backward nature in receiving them.

I’ve written a relatively large amount about movies in 2011 across Twitter, posts on this blog, Flixster, and the /r/movies subreddit, so this is simply going to be a list.

Here they are, grouped by star-rating out of 5, and alphabetically within the groupings.

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Taking technology for granted [AKA the parent lens]

I live in an unbelievably large technology bubble. I’m rather happy living in it, and haven’t stepped out of it for a while. A couple of days ago, I momentarily did, through the lens of my mother; it was hilarious.

To cut a long story short, we were looking for a new TV, went to Harvey Norman [oh, the irony] and bought the thing. We were told there was a warehouse a few kilometres away where we needed to pick it up and given an address.

As we got in the car, my mother started rifling through the glove compartment and back seats, and worridly said, “I can’t find the street directory. How are we going to get there?”. If I was in a TV show, I might have said something like, “two words, Google Maps”. Good lord, that sounds corny.

Ahem, anyway, I entered the address into Google Maps [“oh, you’re calling someone to ask for directions?”], and that lovely British accent started telling us where to go. I handed the phone to her and said, “just hold this, it’ll tell you where to go”. Suffice it to say, she was astounded.

We get back home, and the first thing she says to my father is, “do you know his phone just tells him where to go? He’ll never be lost with that thing”.

It really is as simple as that. Google Maps is my favourite travel accessory. I was in New York earlier this year, and the transit directions helped me navigate an unfamiliar public transport system with ease. Clearly I’ve taken it for granted, but seeing someone experience its magic for the first time was fun!

Then of course the TV’s set up, and she asks, “can you watch those TV shows from your computer on this now?”. Gosh, I hadn’t even thought that far ahead.

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