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SXSW 2011 in films. Q&As, lines and the 15 I saw, ranked.

SXSW Film is pretty special. Sure, there’s Sundance and Cannes, but SXSW Film really opens up its screenings, and gives the people access to all films that are screening like no other film festival. It was my first SXSW, and I had absolutely no idea to expect. It’s pretty clear now though, that by far, the Film component was my favourite.

Where else would a movie fanboy like me get to sit in on so many world premieres and screenings and interact with the cast, director, writer and producers of films?! The Q&As were a part of film I’d hardly experienced, and I grew deeply in love with them, and the context derived from them, with the movie being so fresh in your mind.

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SXSW – The Beaver [spoilers, duh]

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Boy I love being surprised by films. The Beaver is not the film I expected it to be.

Jodie Foster introduced the film, and with a wry smile on her face, she warned the audience that this would not be a lighthearted, uplifting story, and well, she was right. Thank god she made the movie she did.

The Beaver tells four stories. A clinically depressed man that has tried all he can and is on the verge of suicide, stuck in a box that he cannot break out of. A wife at the crossroads of a broken relationship, a son desperately trying not to be his father, and a girl struggling to truly express herself.

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Oscars 2011 – My predictions

I did this last year. I ended up getting ~14 out of 16 right. I don’t think I’ll do as well this year, because it seems like it’ll either go heavily the way of The King’s Speech, which has a LOT of the recent momentum, or, it’ll go with The Social Network, the film that ran away with all the early awards, including, for what it’s worth [not much], sweeping the Golden Globes.

I’ve omitted a few categories I have no real idea about, but the full list of nominees and awards can be found here.

KEY:

What I *predict* will win – italics

What I *want* to win – bold

What ended up winning – red

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2010: The year in movies

It’s that time of the year again. The post I look forward to and dread in equal parts.

Bear in mind that this is a list of movies I’ve seen at the cinemas in Australia [with the exception of two that I saw in The States] this year, so quite a few that are ’09 releases to some of you, are in fact 2010 releases in this lagging country of ours. I can already see the same thing happening next year, with True Grit, Black Swan and The Fighter getting releases mid-January here.

Once again, this has taken 3+ hours to do. With the notable exception of Inception being best of the year by a clear margin for me, I think in future years, I’m going to have to create this list in some other way [maybe grouped by star ratings], because frankly, this is excruciatingly difficult, and probably not a completely fair way to rank movies either.

Anyway, here they are, ranked best to worst.

EDIT:

I’d omitted Scott Pilgrim vs the World and Knight and Day, so I’ve updated the list to include those two, and got to 100 in the process!

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I’m Still Here

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Or the above image, if you’re looking for another way to sum up I’m Still Here. It was two years of magnificent trolling in the public eye. I tip my hat to you, Casey Affleck, and especially, Joaquin “J P” Phoenix! The performance of a career, indeed.

Then again, I can’t imagine how I would have reacted if I hadn’t walked into this movie knowing it was a mockumentary. I’d like to think I would have easily been able to pick it as an obvious joke, with SO much absurdity coursing through the film, but so many didn’t, and I have a feeling that there would have been some level of doubt in my mind.

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Catfish [spoilers, duh]

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Go watch it. Really avoid watching the trailer [I have no idea why it’s been cut the way it has, because it’s almost doing it a disservice] if you can, but I implore you to go watch it! If Inception blew my mind and left me in awe of Nolan’s imagination and film making prowess, this blew my mind in equal parts in telling a story, a TRUE story, that will leave you shaking your head long after you walk out of the cinema. If it’s a mockumentary, then I tip my hat to a bunch of amazing writers for scripting a story so rich and running me through the emotional spectrum like I haven’t been in a long time; I would be very annoyed if it was. Damn you, cynical nature.

As if the story itself wasn’t amazing enough, I really loved the way it was told. From the montage towards the beginning told solely through emails, Facebook updates and online photos, to the way Google Maps and Street View are used to chart their travels, the use of these popular social services that are so familiar to us now was very clever!  

With all the recent Facebook privacy hoo-hah and ongoing concerns with online identity, Catfish is a film for the times, and a staggering example of the power of Facebook, and the basic level of trust millions of people put in it. Angela’s messed up, but creative mind, coupled with a basic understanding of social media services, allowed her to create a complex, but completely fake network of family and friends to live out a life and romance that was a far cry from her pretty sorry existence. It was just unfortunate that this escape came at the expense of Nev.

Thank you for screening it, Melbourne International Film Festival, but next time, maybe try not screwing up the projection for a good half of the movie?

 Oh, and check out Catfish‘s site, with Nev’s “desktop”!

Go watch it.

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Inception [spoilers, duh]

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A year’s worth of hype EXCEEDED. This will NEVER happen again. You just blew my mind, Christopher Nolan. Did I just RT myself in a blog post? Yes, yes I did, but I’ve honestly sat here trying to express my sentiment in some other way, and I really can’t. Something else not possible is doing this movie justice, but screw it, it’s my blog, and there are thoughts swimming around in my mind.

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The White Ribbon

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Controversy-courting director Michael Haneke (CACHÉ) earned the Palm d’Or at Cannes in 2009 for this arresting drama set just before World War I. In a small German village, a number of unexplained accidents beset the schoolchildren and their parents. Though they at first appear coincidental, it begins to seem that they are not, in fact, accidents at all.

One of the simplest indicators to me, in terms of how much I’ve liked a movie, is the amount of time I’ll spend at home that night reading about it. It’s bordering on 2 hours now with Michael Haneke’s The White Ribbon; suffice it to say, it got my attention.

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