My fear of car crashes in film and television

I have a condition. Ok, no, it’s more that I’ve been conditioned. Every time I’m watching a movie or TV show, and there is a front-facing or side-on shot of the driver and or passenger in a car, I fear for them. It may be the happiest movie of all time, but I fear for them.

It was the 2nd of 3rd year of uni, and I was sitting towards the back of a lecture theatre watching the season 4 finale of Alias. In the space of 10 seconds, I heard “well, for starters, my name isn’t Michael Vaughn”, and before I could even gasp at the revelation, I jumped out of my seat, startled at that car crash.

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Nerdist Writers Panel #1 – A fascinating insight into writing for television

I was listening to TWiT this week, feeling strangely nostalgic while stumbling home, reminiscing on all the hours of laughs and knowledge it has given me, and an introduction to podcasts in general. I’d listened to the LOST podcast religiously for years of course, but TWiT got me listening to so much more, making commutes not a complete waste of time in the process. When I stumbled across the page for this Nerdist podcast via /r/television, I wasn’t quite sure what to expect, and had never even visited the site before, but knowing I’d hear Damon Lindelof talking LOST again for at least a small part of proceedings was enough, and 100 minutes later, I feel like writing a pilot!

The Nerdist Writers Panel series is an informal chat moderated by Ben Blacker (co-creator of The Thrilling Adventure Hour, writer on CW’s Supernatural) with professional writers about the process and business of writing. Covering TV, film, comic books, music, novels, and any other kind of writing about which you’d care to hear. Proceeds from the series benefit 826LA, the national non-profit tutoring program. Recorded live at Nerdist Industries at Meltdown Comics in Los Angeles. 

Episode one features: Damon Lindelof (Lost); Jane Espenson (Buffy; Battlestar Galactica; Torchwood); Erin Levy (Mad Men); Drew Z. Greenberg (Buffy; Warehouse 13).

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Fringe season 3. Rediscovering that LOST feeling [spoilers, duh]

Nine days from now will be the one year anniversary of LOST ending. I wrote about how that void will never be filled, and how there will never be another show as great as LOST, for OH SO MANY reasons, but today, just temporarily, a little bit of Amber in the form of the Fringe season 3 finale filled that void.

I tweeted about it the instant it finished, I rewatched that ending, had about ten tabs open, started looking at the Fringe subreddit, read an out-there, theorising post by Doc Jensen, and well, it felt like LOST all over again!

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Rationalising my digital media purchases, or lack thereof

@juleshughan tweeted an interesting Guardian post titled In the digital era free is easy, so how do you persuade people to pay?, and it got me thinking about why I pay for some forms of digital media, and why I refuse to for others.

The article is a good read, and speaks of motivations, which is something I’ve been very interested in lately, but this list, or whatever the post will turn into, is a lot more, colloquial, I guess.

<time jump> I’ve ranted too much [yes, I’m jumping in time], so I’m going to just list my rationale / motivations—generalised—below, and if you’re still interested, you can read about why it was basically World of Warcraft that got me paying for digital media. </time jump>

Note: The following rationale may likely be highly irrational to some.

The short of it


  • Features [the social, multiplayer aspect in 99% of cases] not accessible through pirated copies
  • Ease of purchasing and the convenience of digital delivery
  • Supporting Indie developers


  • Supporting something I’m passionate about
  • It’s cheap
  • Convenience


Good luck trying to get me to pay for television.


Can’t justify it, and I’m more than doing my bit to support the movie industry by paying $20+ each week at the cinemas.

<time jump 2> Ok, I’m jumping in time again, but I realised I’d forgotten about mobile, and it feels a little different in my mind.

I would more than happily pay for an app I use regularly, but at this point in time, all my favourite, and most used apps, are free. In saying that, I do feel like, for whatever reason, I would hesitate / consider buying an app a lot more than I should, for the relatively small amount they cost. This Oatmeal comic sums it up  </time jump 2>

And now, a wordier version…

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Today I learned about motion interpolation

Our tv at home is around 10 years old, maybe older. In general, I don’t watch tv on my tv, and if I ever do, there’s a 99% chance it’ll be sport, hence my visible disgust as I turned on the tv in my hotel room today, excited to watch Kill Bill: Volume 2. 

I still remember the first time I came across motion interpolation. I was drunk, at a mate’s place, and Spiderman was on tv. Ten seconds in, I was wondering what the hell was going on, and why the movie was looking so… real or non-cinematic. I put it down to my lack of sobriety. Nope, that wasn’t it at all.

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LOST season 6 epilogue – New Man in Charge

The 12 minute epilogue to season 6, outlining Hurley’s and Ben’s time on The Island. @marawlings’ link broke halfway through, so I found this version, complete with Italian subtitles, downloaded it and re-uploaded it in the hope that it doesn’t get taken down as quickly as it would on Youtube *fingers crossed*

Watch for:

  • Ben and Hurley
  • Food drops
  • Hurley Bird
  • Polar bears
  • Room 23
  • Waaaaaaaalt

I expected more, but, at least we saw ol’ Bug Eyes one more time. Long live LOST.


I’m a serialized drama kinda guy

It’s been a while [save those two weekends a few months ago where @drumonastick and I consumed ~80 LOST episodes] since I’ve had a decent day of TV watching, but after completely ruining my weekend with the World Cup, alcohol and not sleeping in my own bed, I sat slouched in anticipation of some new TV blood. 

And now, a summary of said “new” blood. Yes, I say “new”, because two of the three shows are old, but I haven’t had the chance to get into ’em.

Community – Started very poorly, and the main dude and dudette are for the most part, terribly yawnworthy, but Ken Jeong, Chevy Chase and Danny Pudi are becoming increasingly funnier, with the Mexican Halloween episode taking the show to a new level. One thing I particularly like about Community is the fine job it does with its race-based humour

Modern Family – Only two episodes in, but I’m already in love with most of the characters, and some fine zingers already!

Rubicon – This is a new conspiracy thriller on AMC [the fine folks that bring us Mad Men and Breaking Bad], and only the pilot is out as of now, but can count me in for the ride

All of this of course has nothing to do with the real point of this post, but I thought I’d tell you a little about my weekend, and well, I’m not sure where this is going anymore, but let me try and reset the focus to this fantastic discussion by Noel and Scott of The AV Club, on how the culture of TV and TV-watching has changed. It was filled with paragraphs of glorious sentiment that I vehemently agree and disagree with, so I’m just going to pull some of that out.

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