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LOST – Recon [spoilers, duh]

I’m frankly shocked by the reaction over at DarkUFO to this week’s ep; it’s my favourite of the season.

Thoughts:

  • Sawyer as a cop, ey? There is some event that is acting like a tipping point for all the losties in these flash sideways. Is it the NON-involvement of Jacob, due to him being dead at the time of the “reset”?
  • “LaFleur” ?! Surely not a coincidence…
  • Pierre Chang works at a museum!
  • “They think they’re protecting The Island from me when all I want to do is leave” – Flocke. Still don’t understand the endgame
  • Flocke sounded exactly like Ben re: recon instructions
  • Take THAT, Claire! *cheers at Flocke*
  • Who told The Others to build that runway? Was it MiB, so he could return as Flocke and have the plane land on something so that it could be used to get off The Island, or Jacob, so the candidates could return?
  • Ok, ANOTHER LONG STARE into a mirror by the character involved in the main flash sideways story? Answering why this is happening will probably answer why the two timelines exist
  • MiB has mommy issues. A “crazy mother” like Aaron has. Was MiB was born here?
  • What’s behind that padlocked door? Aaron? Desmond? Bring-back-Jacob-to-life kit?
  • So is Widmore on Jacob’s side, since he wants to kill MiB?
  • Damon and Carlton must have heard about Azaria Chamberlain and replaced “Dingo” with “The Others” re: Claire
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I’m a Grooveshark VIP member now

I’ve been raving about Grooveshark to anyone that cares to listen, and I finally took the plunge today to become a VIP member. At $3/month or $30 a year, it’s just dirt cheap, especially considering my penchant for blowing large amounts of money on seemingly useless things/causes, like destroying my liver!

Oh, right, I should probably mention what Grooveshark is for the uneducated. Or just let Wikipedia do that for me.

Grooveshark is an internationally-available online music search engine, music streaming service and music recommendation web software application, allowing users to search for, stream, and upload music free of charge that can be played immediately or added to a playlist.

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LOST – Dr. Linus [spoilers, duh]

Thoughts:

  • Locke to Ben [off-island] : “Just sounds like you care about this place. And if the man in charge doesn’t, maybe it’s time for a change” Parallels much? Does Jacob actually care about The Island?
  • Ben and his dad still went to The Island as part of The Dharma Initiative! But why the hell did they leave…?
  • “Only six [candidates] left”, says Ilana. Who are the fifth and sixth? I count Hurley, Jack, Jin and Sun. Locke, Sawyer and Sayid are lost causes, aren’t they?
  • Jack: “Where’d you come from?” .. Alpert: “You wouldn’t believe me if I told you” What is that supposed to mean?! He can’t take some kind of Smokey form, can he? Or is he always jumping through time?
  • Confirmed: Jacob gave Alpert his eternal life
  • Confirmed: Alpert came to The Island on the Black Rock
  • Whoever’s touched by Jacob can’t die? What about Locke, then?
  • I vaguely remember a scene in season 5 where Sun brings Alpert the photo of some of the losties in the 70’s and he says he watched them all die. That scene is now confusing me for some reason.
  • Widmore = 108? Does that mean Jacob wanted him back?
  • Still no Sawyer. Is he already at The Hydra?
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TechCrunch and Foursquare co-founder fail

Ah, TechCrunch. Always getting abuse from @leolaporte, but I still love it. Today, however, you have failed.

MG Siegler’s post, titled Foursquare’s New Site Design Starts To Roll Live As Gossip Girl Pays Homage, had this doozy of a quote!

Something else interesting from tonight: apparently the concept of “checking-in” made its onscreen debut on the popular TV show Gossip Girl. Co-founder Dennis Crowley noted the move and tweeted out a picture of it captured from the show. While there is no specific mention of Foursquare, it’s pretty obvious what they’re paying homage to.

*cough* It may come as a surprise to MG and co-founder of Foursquare, Dennis Crowley, but actually, the concept of “checking-in” was not started by Foursquare. The reference was actually an sms by a private investigator to a character letting them know that someone had checked in to a hotel -_-

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How do I know this? Yes, fine, I watch the show >.<

UPDATE:

Ugh, uber lame, MG updated his post with a couple of edits that cover his ass and make Crowley look like the one who’s making all the assumptions. He didn’t mention that he made said edits, of course. Meh.

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Oscars 2010 – My predictions

Considering that I’ve seen the vast majority of contenders for this year’s Oscars, I thought I may as well list my predictions [for the categories that I’m somewhat comfortable with, anyway]. Ok, maybe “predictions” is not quite the right word since there’ll be some bias involved, so maybe it’s more my hopes for how the awards get handed out tomorrow. No, I’ll just do both; my predictions and what I actually want to win.

Pardon my stream of consciousness.

Key:

What I predict will win – italics

What I want to win – bold

Performance by an actor in a leading role

  • Jeff Bridges in “Crazy Heart”
  • George Clooney in “Up in the Air”
  • Colin Firth in “A Single Man”
  • Morgan Freeman in “Invictus”
  • Jeremy Renner in “The Hurt Locker”

Performance by an actor in a supporting role

  • Matt Damon in “Invictus”
  • Woody Harrelson in “The Messenger”
  • Christopher Plummer in “The Last Station”
  • Stanley Tucci in “The Lovely Bones”
  • Christoph Waltz in “Inglourious Basterds”

Performance by an actress in a leading role

  • Sandra Bullock in “The Blind Side”
  • Helen Mirren in “The Last Station”
  • Carey Mulligan in “An Education”
  • Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
  • Meryl Streep in “Julie & Julia”

Performance by an actress in a supporting role

  • Penélope Cruz in “Nine”
  • Vera Farmiga in “Up in the Air”
  • Maggie Gyllenhaal in “Crazy Heart”
  • Anna Kendrick in “Up in the Air”
  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Best animated feature film of the year

  • “Coraline”
  • “Fantastic Mr. Fox”
  • “The Princess and the Frog”
  • “The Secret of Kells”
  • “Up”

Achievement in art direction

  • “Avatar”
  • “The Imaginarium of Doctor Parnassus”
  • “Nine”
  • “Sherlock Holmes”
  • “The Young Victoria”

Achievement in cinematography

  • “Avatar”
  • “Harry Potter and the Half-Blood Prince”
  • “The Hurt Locker”
  • “Inglourious Basterds”
  • “The White Ribbon”

Best documentary feature

  • “Burma VJ”
  • “The Cove”
  • “Food, Inc.”
  • “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
  • “Which Way Home”

Achievement in film editing

  • “Avatar”
  • “District 9”
  • “The Hurt Locker”
  • “Inglourious Basterds”
  • “Precious: Based on the Novel ‘Push’ by Sapphire”

Best foreign language film of the year

  • “Ajami”
  • “El Secreto de Sus Ojos”
  • “The Milk of Sorrow”
  • “Un Prophète”
  • “The White Ribbon” 

Achievement in music written for motion pictures (Original score)

  • “Avatar”
  • “Fantastic Mr. Fox”
  • “The Hurt Locker”
  • “Sherlock Holmes”
  • “Up”

Achievement in visual effects

  • “Avatar”
  • “District 9”
  • “Star Trek”

Adapted screenplay

  • “District 9”
  • “An Education”
  • “In the Loop”
  • “Precious: Based on the Novel ‘Push’ by Sapphire”
  • “Up in the Air”

Original screenplay

  • “The Hurt Locker”
  • “Inglourious Basterds”
  • “The Messenger”
  • “A Serious Man”
  • “Up”

Achievement in directing

  • “Avatar”
  • “The Hurt Locker”
  • “Inglourious Basterds”
  • “Precious: Based on the Novel ‘Push’ by Sapphire”
  • “Up in the Air”

      Best motion picture of the year

      • “Avatar”
      • “The Blind Side”
      • “District 9”
      • “An Education”
      • “The Hurt Locker”
      • “Inglourious Basterds”
      • “Precious: Based on the Novel ‘Push’ by Sapphire”
      • “A Serious Man”
      • “Up”
      • “Up in the Air”

      The full list of categories and nominees can be found at the official Oscars Nominations page.

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      LOST – Sundown [spoilers, duh]

      Thoughts:

      • First impressions. Almost seems like this should’ve been aired consecutively with the next one as a two part episode
      • After The Cliffside Cave and The Lighthouse, this ep was relatively light on mythology
      • Where the hell is / what the frak happened to Sawyer?
      • MiB has Sayid, Sawyer and Claire. Possibly Kate, considering where she ended up at the end of the ep
      • Jacob has Hurley… and Jack?
      • What’s the deal with what / who can keep Smokey out? I thought it was the ash, but I doubt there was any surrounding The Temple, and it was instead Dogen.
      • Do Jacob and MiB have certain parts of The Island they can inhabit?
      • MiB is now “free”, so why’s he taking people along for the ride? Does he need another proxy [living], to leave The Island? Or is he just plain evil? That killing spree at The Temple did seem excessive.
      • What’s MiB going to do with all those suckers people?
      • Keamy makes some mean eggs
      • MiB details confirmed: takes the form of someone dead [on-island]  that you know
      • Would Sayid actually have killed him if he didn’t let Flocke blurt out that greeting?
      • I don’t get why Lapidus is there
      • What are the chances we’ll get an Ilana backstory, because she sure as hell knows a lot?
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      Shutter Island: Take Two

      Boy am I glad I watched Shutter Island again. The first viewing, last Thursday, in a terribly inebriated state, resulted in me seeing about 15 minutes of the movie while falling asleep and generally having no idea what the hell was going on. Add to this the not so stellar reviews it’s been getting and I was well within my rights to give it a miss, but the pride I have misplaced in my unofficial movie reviewer role got the better of me.

      Firstly, what’s with all the negativity surrounding it?! Scorsese might have bitten off more than he could chew with that ending and the amount of information that was crammed into it, but god damn the journey there was enjoyable. The score was just perfect, with those heavy, jarring violins so beautifully capturing the mood [apparently it sounds Hitchcockian, like Vertigo], and then there’s the imagery.

      Every second of that first dream sequence was to die for, and seems so far removed from what I’ve seen of Scorsese. I absolutely loved all the war flashbacks and Ward C scene with Jackie Earle Haley, with an oh-so-creepy Michelle Williams towards the end of the movie. I don’t know if I even need to mention DiCaprio, but good lord he totally owns the movie, churning out another spellbinding performance. Can anyone else really pull this kind of role off?

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